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Damien Hirst’s Controversial Pregnant Woman Sculpture in Ilfracombe

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The skyline of the seaside town of Ilfracombe in north Devon, England, is about to change, and not many residents are happy about it. A 20 meter high statue of a naked pregnant women wielding a sword is being erected on the coast. One side the woman’s skin is peeled back, revealing her skull, muscles and developing foetus in her stomach. The woman also carries a sword in her up stretched arm, and has scales hidden behind her back.

The bronze statue called “Verity” is the creation of the controversial English artist Damien Hirst who lives locally and owns a restaurant in the town. According to Hirst, “Verity” is a modern-day allegory for truth and justice. The figure’s stance is taken from Edgar Degas’s ‘Little Dancer of Fourteen Years’ which the artist used in his earlier bronze creation “Virgin Mother”.

Hirst’s statue has been loaned to the local authority by the artist for 20 years and will stand by the town’s pier.



Hundreds of residents wrote to the council to object, with one saying it would ‘encourage teenage pregnancies’. Another said it was ‘demeaning to women’ while a third claimed it was ‘eccentricity posturing as art’. It has been called every derogatory word in the book - outrageous, immoral, bizarre, offensive, distasteful, embarrassing, grotesque, disrespectful, insensitive, inappropriate, a monstrosity, tasteless, ugly, vulgar and of no artistic merit.

But still the council has agreed to let this sculpture take pride of place on the idyllic British coastline at Ilfracombe.

"We've relied, as a holiday resort, on our natural charm and beauty, but that's not enough in the present day. Hotels are closing, so we've got to do something to boost the economy and we're looking at the arts as a way of encouraging visitors," says Ilfracombe councillor Mike Edmunds.

'Verity' was made in over forty individual castings at Pangolin Editions foundry in Gloucestershire. The frame was fabricated in a single piece of stainless steel. The bronze parts were cast in pieces using sand moulds, which were then metalworked and reassembled around the steel frame. The sword and upper arm is a single piece of glass fibre reinforced polymer and the entire piece underwent significant windtunnel testing in order to ensure it was capable of withstanding the extreme force of high winds and sea spray.





















via BBC and TheAustralian

House of Music / Coop Himmelb(l)au

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Coop Himmelb(l)au’s House of Music in Aalborg, Denmark is a shared hybrid space that becomes a center of inspiration, “both of the shared-synergetic behavior and of the form and expression of the architecture..” Cultural and educational functions are interspersed between shared public and performance spaces, creating a network of interaction among the public, artists, students and educators. Situated in a dynamic urban grid, the House of Music becomes a full extension of the city, linking the character of the city with the new opportunities the Music Hall provides.



“The House of Music is organized around the concept of sharing and synergy, while recognizing the need for independence of the individual institutions within. Wherever possible sharing of spaces is enabled and overlapping of use of public and performance spaces is supported through the design,” explained the architects.


The educational facilities are located in a two-level U-shaped courtyard building. This “Educational U” is raised up above the back of house base creating a horizontal void which is then programmed with shared functions. This middle “interchange level” is seen as an extension of the main public foyer where views into the auditorium and views out to the city can be experienced.


The core of the U-shaped block of music, is a 1,300 seat symphonic concert hall. This modified shoebox design of the concert hall creates an optimal balance of acoustics, sight-lines and closeness to the stage for the audience. At first, the concert hall appears as a monolithic form with natural materials and colors, however upon entering the auditorium, the user experiences the the fluid curvilinear geometries of the space. This different architectural language “lends a special theatrical sense of atmosphere to the space.”


The main foyer utilizes natural ventilation for fresh air with low-level operable windows for intake and high-level operable windows and vents for exhaust. The system uses the natural thermal buoyancy of the tall vertical space to move the air, rather than electrical fans. The floor design employs a water filled radiant concrete slab used both for heating in winter and cooling in summer. The concrete walls around the Concert Hall are used as thermal mass to store energy. In addition, the south facing façade of the Educational U building utilizes a two layer façade that provides both shading and generates electrical power harvested for building use through thin-film photovoltaic technology.






Credits: House of music II project team Planning COOP HIMMELB(L)AU Wolf D. Prix / W. Dreibholz & Partner ZT GmbH
Design Principal/ CEO Wolf D. Prix


Project Partner Michael Volk
Project Architect Marcelo Bernardi, Pete Rose
Design Architect Luzie Giencke
Design architect – interior Eva Wolf
CAD coordinator Ronny Böser
Project Team Benjamin Schmidt, Philip Wilck, Ariane Marx, Markus Baumann, Ivana Jug, Anna Wasserthal, Talya Kozminsky, Blaine Lepp, Robin Heather, Bo Stjerne Thomsen, Stephanie Neufeld, Tyler Bornstein, Elisabeth Keane
3D Visualization Armin Hess/ Isochrom, Vienna Silkroad, Beijing, China Jens Mehlan, Jörg Hugo
Photography Markus Pillhofer
Client North Jutland House of Music Foundation, Aalborg, Denmark
Local Architects Friis & Moltke, Aalborg, Denmark 
Landscape Architect Jeppe Aagaard Andersen, Helsingør, Denmark
Structural Engineering Rambøll, Aalborg, Denmark B+G Ingenieure, Bollinger und Grohmann GmbH, Frankfurt, Germany
Mechanical, Electrical and Fire 
Engineering Nirás, Aalborg, Denmark
Acoustical and Theater Consultant Artec Consultants Inc, New York, USA 
Cost consultant Davis Langdon LLP, London, England


Project Data


Net Area 10,910 m² 
Gross Area 17,744 m²
Competition (1st prize) 2003 
Start of Planning HoM II: Feb.2008


House of Music I Project team


2002 – 2007
Design Principal, Ceo Wolf D. Prix 
Project Partner Michael Volk
Design Architect Andrea Graser
Project Architect Oliver Sachse
Project Team Marcelo Bernardi, Jesper Bork, Bo Stjerne Hansen, Roberta Jiraschek, Daniel Krüger, Carsten Laursen, Martin Oberascher, Florian Pfeifer, Robert Pippan, Marita Schnepper, Sigrid Svensson, Eva Wolf, Carola Böker, Moa Carlson, Isak Foged, Annina Gähwiler, Patricia Gola, Robin Heather, Per Kruse, Win Man, Ruth Mandl, Aline Müller, Tenna Olsen, Anke Pasolt, Annemarie Pedersen, Eva Ravnborg, Carolin Schmitz-Remberg, Tim Seidl, Guro Sollid, Michele Zanella, Jan-Ruben Fischer, Hannes Walzl, Morten Grau Jensen
Competition Team Karolin Schmidbaur, Michael Volk Ian Collins, Joseph Chang, Gavin Farley, Sophie Grell, Georg Kolmayr, James Lowder, Eric Young, Jorge Avila, Jesse Blankenship, Rodrigo Chávez, Catherine Garrison, Sergio Gonzalez, Debi VanZyl
Photography Markus Pillhofer
3d Visualization Armin Hess/Isochrom, Matthias Ecker, Stefan Laub


Seoul Memorial Park / Haeahn Architecture

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Architects: Haeahn Architecture
Location: Seoul
Project Year: 2012
Photographs: Park Young-chae
Project Area: 18,000 sqm
Site Area: 36,000 sqm
Client: Seoul Municipal Facilities Management Corporation

Secluded by mountain hills from a bustling highway gateway, Seoul Memorial Park rests in a serene valley area of the Woo-Myun Mountain on the outskirts of Seoul, South Korea. Seoul Memorial Park is a crematorium constructed in harmony with the natural terrain of the site, which previously lent calming scenic views to meditative passing-by hikers, and is now converted to a sanctuary for solemn rituals concluding life’s journeys.


Canvas for Land Art


To overcome the unwelcomed response from the community, this crematorium was sought to be a “non-erected” building. Instead, Seoul Memorial Park emerges as a form of “land art” sculpted into the existing topography with a flowing array of architectural forms and motifs. Concaved at the center of the Park, lies a courtyard encompassed by a series of ritual spaces devoted to separate functions. These spatial layers bordering the courtyard resonate from a distance with the surrounding mountain trails and ridges. The 2-storey high crematorium facility configured in the curvilinear belt along the courtyard has roof structures linked in the way flower petals pinwheel one another, punctuated by a reflective pool at the very heart of the courtyard.


Comfort in the Final Journey


Families in bereavement take the final journey of parting as they encircle the courtyard along a path reminiscent of spiritual spaces with vaulted ceilings and indirect lighting. Towards the cremation alcove, the ceiling rises drastically as a clearstory above a triforum. Upon completion of the path, a meandering garden comforts the bereft. As the water from the mountain flows down and gives life to the garden, one might be reminded of the transfiguration of sorrows in praise of the harmony in nature. The garden shimmers with sunlight, whispers with snowfalls, and dances with spring rains. Season by season, tranquility is discovered and the spirit is renewed. Just as nature was dissolved into a building to rest in the valley, Seoul Memorial Park was embodied in a piece of land art to celebrate life and transfigure sorrows.



Plan







Modern Kitchen Table Combined With A Fireplace by Michael Harboun

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In case you like super modern furniture and its hi-tech look you definitely will find this idea of Michael Harboun awesome. The designer from Luxembourg has created Warmpath – a combination of a kitchen table and a stove. The table and the stove both have the property of gathering people so the designer’s idea is really creative. Besides, the conducts of the stove run through the surface of the table. Thanks to the Corian material this table is able to resist to high temperatures and cools down the heat to a comfortable and warm feeling.












Unfolding Sounds – Paris Concert Hall

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Commissioned by the Philharmonie de Paris, this WA Community Awards 6th Cycle winner balances the strict needs of a world class concert hall, with the intricacies of the surrounding neighborhood and the grandeur of the City of Paris. The work is the product of Jungmin Nam, an Award Winning architect now Working at KVA , in Boston, MA. He completed the project while as a student at the Harvard School of Design.





The building has clearly been designed to capture the views of Paris, providing the user with a myriad of visual experiences prior to even entering the concert hall itself. Nam wires that “the visual experience emerges from the movement of people as they follow or their own circulation through the building.” Along the internal circulation pattern, the user will encounter views of the Eiffel Tower and the surrounding grandeur that is central Paris.





The approach to the structure is along a sloping extension of the existing promenades of the surrounding park and serves to lift the user into the reception space, where they may continue down to the exhibition hall and music discovery area or up to the grand foyer along the continuous unfolding promenades. The promenades serve as the circulation space around the concert hall area, but also provide the visitor with constant visual contacts with the city providing the beginnings of a visual, tangible and acoustic experience.




The Concert Hall itself is designed around a ‘Vineyard’ Configuration, providing all audience members optimal sight lines and frequency response. The sections of the Vineyard are dictated and delineated by the acoustic reflection walls. The end result is one of integration, where the audience is fully enveloped in the concert experience, both visually and audibly.





The site is located in the northeast corner of central Paris, within an transitional space between the city center and the surrounding suburban core. The building has been wisely oriented for optimal pedestrian connectivity with pedestrian corridors linking the structure to the neighborhood and the Subway Station. The result is a site plan that respects the surroundings and neighborhood context as well as reflect the larger scale street grid.



Contemporary Mountain Home in Brazil by architect Ulisses Morato - extreme contrasts!

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Oddly enough, this ultra-modern mountain home was designed and built using traditional techniques, by Brazil’s Morato Arquitetura. This contemporary mountain home employs time-honored methods and local materials with traditional, manual construction, and uses strong Portuguese colonial architecture influences. Built on three levels, the unique layout allows for a graceful yet functional use of the steeply sloping site. But you can’t complain about this particular site – ideally situated on a hilltop in Minas Gerais, Brazil, embraced by a vast valley and majestic mountain range, the house is too influenced by its surroundings. “The place chosen for the house was determined by the generous native landscape in the surroundings,” says architect Ulisses Morato – the man behind this amazing house design. “In this context, space definition privileged the possibilities of relationship of house users with the exuberant natural landscape. As for the relation of house-nature, we decided for the contrast, i.e. the radicalization of a geometric and rational design in opposition to natural organic shapes. Therefore, the ‘natural order’ and ‘cultural order’ are mutually distinguished and valued.” This modern mountain home was awarded the 10th Architecture Award promoted by IAB-MG (Instituto dos Arquitetos do Brasil – Minas Gerais) 2008, in the single houses category.















Energy-Effective Lounge Chair To Charge Your Devices

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Eco-friendly ideas continue to save our energy and resources, and it’s great when such things are stylish in design. Professor Sheila Kennedy created SOFT Rocker, it’s a lounge chair where you can rest while recharging the batteries of various devices. During the sunlight hours a 12-ampere hour battery stores the solar energy and then utilizes it for charging. You can lie in this chair comfortably, with a lap top or a book and recharge this device or something else. Usual softwood panels may be used for storing solar energy, this is a great solution, especially if you spend much time outdoors. This is an example when high technologies combine with stylish design.






















European Style Home Designs – Spanish Architecture in Columbia

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Created for a couple living in Spain but yearning to come home to their native Columbia, architect Juan Esteban Correa Elejalde designed this unusual European style home design in Columbia with a contemporary, Spanish flair. The 500m2 holiday home, simply called “House on Lot 23,” is arranged in five phases – the main house with the kitchen, living, dining and guest accommodations; the “game” area with an outdoor space for entertaining; the entry foyer called the “zaguan”; the pool and deck area; and the interior courtyard at the heart of the house. A landscaped rooftop patio is the finishing touch to top off this gorgeous house design. This interesting architecture comes wrapped in a facade of wood and glass, providing views of the surrounding lush vegetation. 
















‘The Lantern’ Metro Station and Public Arena / ShaGa Studio + MaDG

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ShaGa studio, in collaboration with MaDG, shared with us their proposal for The Lantern, a new metro station and public arena for the future extension of Metro Line 1 in Sofia,Bulgaria. Shortlisted from over 130 entries in the Station20 competition, their design fluctuates between scales, creating a strong iconic image towards a southern public plaza while providing a soft landscape link as a northern station entrance. More images and architects’ description after the break.


Nestling along the future extension of Metro line 1 and at the local crossroad of Druhzba I and II residential areas, ‘The Lantern’ transportation hub weaves together the district’s infrastructure needs with a series of unique local open public spaces. Through an emphasis on the natural lighting conditions below ground and the integration of lighting features (back-lit LED ‘mood walls’) in the station interior and facade, the design enhances visitors orientation, visual connections and an optimized orchestration of public flow, seamlessly connecting the immediate urban context to the station’s concourse level and further to the train platforms.


Bifurcating the initial road layout on site, the design transforms the fragmented pedestrian strip along the road into a coherent central event space. Through the articulation of a multi-leveled ‘ground condition’ not only do specific public atmospheres emerge [a sunken garden, Slopping public roof, public plaza] but also new opportunities to ‘perforate’ the landscape arise, bringing in natural light and natural ventilation to the platform levels and achieving optimized daylight conditions and seamless accessibility from the landscape to the concourse space.


We envision the station as a true time based public space, a place which simultaneously acts as dynamic transportation node within the city’s infrastructural system and a public arena, changing through day and night and made for the comfort and pleasure of its local inhabitants.

Architects: ShaGa Studio + MaDG
Location: Sofia, Bulgaria
Team: ShaGa Studio – Gary Freedman, Philip Daniel; MaDG – Margherita Del Grosso




Vershina Trade and Entertainment Center / Erick van Egeraat

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Architects: Erick van Egeraat
Location: Surgut, Russia
Project Year: 2010
Project Area: 37,050 sqm
Photographs: Alexey Naroditskiy

The “Vershina” Trade and Entertainment Centre is the first five-star international shopping center in Surgut and offers space for retail, extreme sports areas, dance studios, restaurants, bars and an underground night-club. On a total gross floor area of 35,000 sqm spread over eight stories, the building provides around the clock activities for all visitors, young and old.


The concept for the building is based on a dialectical play between dark and light, solid and transparent, open and closed. The building is equipped with an extensive exterior lighting scheme and its glass facade forms a screen onto which moving advertisements are projected. The primary cuts in the facade divide this basic mass into “sharp volumes” that allow daylight in, and radiate artificial light outat night.



Floor Plan

These cuts are accompanied by secondary cuts in the facades, the so-called “lines of light”. The primary and secondary cuts in the building skin will allow for the building to become a beacon of light during the nine dark winter months in Surgut.

Elevation



















Beach House Design Ideas from Peru - frame the sunsets!

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This cool beach house on Palabritas Beach in Lima, Peru was designed by Peruvian architect Jose Orrego. This modern beach house design idea was actually conceived to frame the breathtaking beach-front property and the spectacular sunsets every night. This unusual, low-profile architecture of this luxury coastal cottage design keeps the house intimate, but ultra-contemporary touches really make it stand apart from the rest. The gentle curves of the elevated box structure are open to the outdoors, inviting openness without sacrificing privacy. A minimalist white facade is punctuated by vivid, red accents like the tiled swimming pool and punchy furnishings, drawing the eye to the home's main social spaces. Sliding glass doors create a versatile, indoor-outdoor design in this beachfront home, opening the living and dining room to the terrace for al fresco entertaining when weather permits. On the flip-side, an indoor patio unifies the bedrooms and the family room.














Cool Corner Chair To Arrange An Uncommon Space

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Some people love unusual furniture concepts. If you are one of them and dream of creating some surrealistic space in Salvador Dali’s style then buy this piece by Anton Björsing. Hörnstol takes an advantage of any corner. It’s not a common chair and not a practical design but it’s amazing in its uncommonness. The chair consists of two parts connected with each other which should be placed at the corner. Simple design of the seating itself is compensated by its two parts and their connection. It’s kind of you went through the house, suddenly got tired or an idea came up to you – and you sit down on this chair to write it down. Isn’t that cool and funny?
















Wirl Sculpture in Hong Kong / Zaha Hadid

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Wirl was conceived by Zaha Hadid to reflect the intensity of a hyper-acceleratory force within an elastic tactile form. The sculpture is located in Hong Kong, China. Moments of graceful suspension are tensioned between muscular sweeps in multiple directions. As the curvature of the surface dynamically and seamlessly twists and turns, dynamic form and functional furnishings are seamlessly integrated. Swells provide areas for seating while stretches in the form furnish opportunities to recline. A generous upward sweep provides shade as well as integrating a series of evolving framed views of the surrounding environment and buildings. Differentially sized voids allow for a variety of experiential possibilities in regards to entering into and interacting with the sculpture for visitors of all sizes, all the while, surrounded by a cloud of swirling forces lifting off the ground. Rhythmic and asymmetrical, seamless and articulated – its curvaceous form is an intricately linked spatial and inhabitable improvisation suspended in time.
The design and realization of Wirl was driven by the new possibilities created by significant technological advancements in three dimensional design software, as well as an inherent desire to test and engage with the very latest manufacturing capabilities. The resulting sculpture is a dialogue of complex curvilinear geometries and detailed ergonomic research that provides the opportunity to reinvent the balance between urban furniture and public space.






THUNDERCATS CONVERSE CHUCK TAYLOR ALL STAR COLLECTION

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The mid 1980s brought about some of our favorite cartoon television shows, one of which being the amazing ThunderCats. Since its debut in 1984, the brand has gone on to become quite popular, and now we see our favorite ThunderCats gracing these Converse Chuck Taylor sneakers.


As part of the ongoing DC Comics and Converse partnership, the ThunderCats now get several of their own sneaker patterns for the holiday season. There are three different pairs available in the limited edition drop, all of which can be purchased for around $60 from the online Converse store directly.












Cool Pool House Idea That You Dream About?

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It may be a pool house, but this cool 364m2 suburban Connecticut home could easily be the abode of choice. Designed by forward-thinking New York-based Hariri & Hariri Architecture, the Wilton Pool House idea is based on the principles of modern minimalism and a strong connection to nature. The pool house architecture is characterized by a long, angular archway of rich, Brazilian walnut wood that runs the length of the pool and folds over an outdoor seating area. The archway provides protection from the sun when lounging, swimming, or enjoying an al fresco meal. Glass walls enclose the main living areas, which contains a kitchen, bar, bathroom and a small terrace. 












KEYCHAIN LASER PROJECTION VIRTUAL KEYBOARD

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Seeing that we are always on the go, we often find ourselves working from remote places, but sending emails and writing reports can be quite the hassle from your smartphone or tablet if you are used to the ease of a full size keyboard.

The Keychain Laser Projection Virtual Keyboard looks to put an end to this growing issue by providing access to a full sized keyboard anytime, anywhere. The compact keychain designed device utilizes advanced optics that can track your fingers for efficiency and accuracy while typing, and thanks to the Bluetooth technology used, you can literally connect the projection virtual keyboard to any mobile device including your smartphone, table or even laptop if you desire.





Stoke-on-Trent Bus Station Proposal by Austin-Smith: Lord

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Night time aerial view of main entrance




Austin-Smith: Lord recently came runner up in a high profile bus station competition in Stoke-on-Trent, winning the public vote but not selected by the client.
The Austin Smith Lord team, consisting of JMP Transport Engineers, Curtins Structural Engineers and Hilson Moran on Environmental and M&E were supported in the provision of costs by Gleeds and Project Management input from RLB ,worked closely in the 4 week design period to develop an exciting and innovative scheme which found favor with both the public and their peers.

Location Plan



An Austin Smith Lord headed team were recently chosen from over 43 entrants to take part in a limited invitation design competition with 5 other teams from international opposition for Stoke on Trent City Bus Station.

Selected Architectural practices included Zaha Hadid, Grimshaws, Wilkinson Eyre, John McAslan and BDP with Engineering support from Arup, Aecom, Mott Macdonald, and Max Fordham.

The team took an early decision to re‐analyse the earlier feasibility work carried out on the site in order to see if it was possible to meet the operational capacity requirements of the brief without using the Drive in Reverse out layouts contained therein as it was felt that the risk of an accident in a drive through solution would be fundamentally lower given the nature of the site.


View of Bus Stands

Working with local transport engineers and a panel of national advisors the team developed a strategy building on the layout being installed at Wolverhampton, which we knew worked having driven it in 2 days of live trials at the NEC, with a 14 bay dive through facility both meeting and exceeding the requirements set out in the brief with an additional strategy for expansion to add another 30% capacity should it be required in the future.
In addition to the innovative operational form ( the Austin Smith Lord team were the only team to suggest an alternative non reversing layout) the team proposed a thin concrete curved shell like canopy echoing the potteries history of the City with manufacturers such as Spode and Wedgewood at the heart of the world Chinaware Industry. The station enclosure provides shelter from rain and snow while meeting sustainable aspirations through use of natural ventilation, rainwater‐harvesting, and air‐source heat pumps.



View of main entrance

The team worked closely with Gleeds to ensue the cost plan was robust and under the 15 million pound budget and to give the client confidence in the figures we utilised tender returns for sub contract packages on another local similar scheme.

Following the formal submission the team were delighted to see we topped both the Council’s own public vote and the Architects’ Journal peer vote when the schemes were anonymously placed on websites for an X factor style vote on the preferred solution. Project Director and Transport Cornerstone Richard Cronin said:


Station Section A

“It was good to get the recognition of the public and our peers, however we do take this kind of thing in the spirit in which it was intended. It was a welcome diversion to come in and see how we were doing whilst we waited for the interview and it gave us a lift knowing we were obviously doing something right.”

Unfortunately the practice were successful in the final selection with Grimshaw Architects being appointed by the Council and the Developer for the adjacent East West Centre who are partially funding the scheme. However, upbeat Richard Cronin commented:



Station Shadow Study

“It was a pleasure to take part in such a challenging and interesting exercise and to see how the other teams approached the problems posed by the site both in terms of its operational layout and its historical mining use. We knew that looking at a drive through solution was a riskier option but were genuinely feel it was the right solution for that site, utilizing the ring road and ensuring separation of the passengers’ from the buses was key to our approach and we pride ourselves on our ability to take another look at the problem to try and see if there is a better way of doing it, That’s what we as Austin Smith Lord bring to clients in the sector, it’s about a full understanding of the operational issues and ability to analyse the patterns of use to deliver the safest and best architecture at the right price”

Sensualscaping Stairs

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Atmos Studio has designed, produced and made ​​these beautiful stairs called Sensualscaping Stairs. This creation was the result of a long digital input for modeling and creating beautiful lines. More images after the jump.

















 
 

IBM Office Redesign / Italy

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IBM us to discover their redesigned office in Rome, Italy. They have been renovated and offer a futuristic environment very successful. Of local architecture very well thought out to discover later in the article.

















Contemporary Mediterranean House: A Private Paradise

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This contemporary Mediterranean house designed by Oded & Elizabeth Tal Architects is divided into a front and rear volume, separated by a massive glass wall. On the other side of the wall, a three-storey dining area enjoys plenty of natural light and views. A catwalk crosses overhead, offering an open view below. This curved roof home boasts ultra-modern furnishings, clean details and smooth finishes that reflect the home's abundant light and vibrant details. Four levels include a theater in the basement, the living areas and four ensuite bedrooms on the main, and a master bedroom on the fourth floor echoing the curve of the roof. Outside, a rear garden, pool and glamorously furnished outdoor entertaining areas let the lucky owners of this modern Mediterranean house enjoy the best of both worlds, indoors and out, in style.















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